Frivolous Universe

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This last frivolous New Year’s Eve I was gifted with two velvet dresses to choose from to wear to the Visual Art Collective‘s CARnival 2012, one from Jessica and the other one from Kelly. Here I am donning the 1980s vintage velvet Roberta dress from Kelly and a velvet coat from Basic (left over from a drunk Catholic wine tasting I went to when I was 23). Everything about this dress is sexy, the detailing of the straps, the silhouette, the velvet seduction of the fabric, and the blue sapphire color.

It would have been so easy to wear this vintage Roberta all on its own and relied on the genius of the designer to make me look good. I however am not a big fan of dressing sexy to just look sexy. Boring. No woman wants to be seen only as sexy. To give sexy personality one has to accessorize.

At 9:00 New Years Eve, Kelly and I were sitting in my room and staring at my closet. One of the first things I think about when adding visual richness to an outfit is to think about the color pallet. Coupling the Roberta dress with colorful tights came to mind as the easiest way to add more color. It was a choice between turquoise, mustard, and blush colored tights. Kelly and I agreed that blush tights were the most flattering and intriguing combination.

Next I choose shoes to go with my outfit. Not wanting to get too garish with color, I “settled” on these 1950s vintage Life Stride translucent heels with black strap details (hand me down from Nicole). Notice how the black straps echo the straps of the dress. Details. Details. Details.

Life Style vintage 1950s

To complete this outfit I selected some vintage ethnic earrings and bracelet from Armor Bijoux. Ethnic jewelry is my favorite type to wear because it is great for starting conversations which is excellent for social occasions. The lapis and pearls earrings are from Kazakhstan. The tribal silver and lapis bracelet cuff is from Afghanistan. I chose lapis jewelry to continue the blue of the Roberta dress and to keep with the minimal color palette.


Thanks Kelly for helping me put this outfit together and taking these photos. As a thank you I am posting an assface photo of myself. In an earlier post in December I posted a “slightly” unflattering but awesome photo of Kelly. I hope this makes up for my actions.


Question to all of you reading this: Who wore the assface best?

Best comment gets a special gift.

Kelly?

Or Me?

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Early in 2011, I read an inspiring post on creativity (and writing) by Austin Kleon, called “How To Steal Like an Artist.”

I still have several of his sort-of koans posted at eye level in my office. Every time I read one, I feel like maybe I can do this thing called the pursuit of happiness (which to me = writing):

» Steal like an artist.
» Use your hands.
» Side projects and hobbies are important.
» Creativity is subtraction.
» Geography is no longer our master.
» Be nice.
» Do good work, then put it where people can see it.
» Garbage in, garbage out.

And finally, the one I have relied on for solace more than any others:
» Fake it ’til you make it

Because for me, 2011 was a non-stop brutal year of rapid-fire growth and hard realizations (mostly about my own behavior). Originally designed to be a smallish side project, Story Story Night became an entity with a hunger and need and force all its own. At the same time, my copywriting business expanded steadily in scope and project load, and I have a way of being unable to say no while being completely unrealistic with deadlines.

Nobody ever talks about what happens when the sh*t hits the fan and you achieve the great fallacy known as “success.” You are tortured day and night by the weight of it. You feel like a failure most of the time. You (okay I) gain 20 pounds. You live in a undying fog of your own red alerts. You cry and vomit so, so pathetically much.

But you just fake it ’til you make it. Vintage silver and gold metallic polka dot dress (gift from Kelly from a thrift story in Mountain Home). Black leggings ($3.75-thrift store). Merrell fleece-lined boots $12 (REI garage sale).

This doesn’t mean being fake. More biting off more than you can chew. Stepping into bigger shoes than you can fill. Those sort of metaphors.

This is what I mean. From 0 to 24, I was so shy I barely spoke to anyone. Before copywriting, I was a complete and utter short-term incompetent at nearly every job I had, especially my excruciatingly awkward stint as a waitress at the Outback Steakhouse. Until my late 20s, I was terrible at clothing choices. I was a punk, a grunge, a weirdly Mormon/lesbian-looking preppie, but never myself.

But eventually you do grow into your own dreams. Then your own skin. Then you fake it to another level. Armor Bijoux antique Afghanistani silver and glass necklace ($$$). Art deco silver earrings ($1-Antique World Mall). Gold leaf headband ($11-some discount store in Baxter, MN).

Speaking of, I’ll be on Radio Boise (89.9 FM) today from noon to 1pm on a show called the Writers’ Block. Tune in if you can. The internets now offer it up too. You see what I mean though? How insane is a one hour radio interview? I guess I’ll find out.

Because I fake it til I make it.

Then rock on.

Addendum 1:

This year, I am adding one more crucial point, a huge life lesson I learned in 2011:

» You get by with a little help from your friends

Thank you Anna D., for being there in the grueling trenches with me and for your brilliant ideas and inspiration as a co-leader of Story Story Night. Thank you Kelly Lynae, for kicking ass in such a tremendous way on your copywriting subcontracting. Thank you Bethany, for reminding me how amazing collaboration can be with Frivolous Universe. (And for these, and all the other, fantastic photos.) Thank you Kim for your stunning soul, and for letting me visit you in Bangkok (eventually). Thank you Nicole, for your non-stop daring and non-stop booty, and for letting me visit you in New York (soon).

Thank you Sam Stimpert and Anneliessa Balk at Visual Arts Collective, the art/music/theater/awesomeness venue that played host to this frivolous New Years Eve party. I know the VaC journey has been long and torturous, but what a vision, and what a place. We look forward to our new Story Story Late-Nights there.

And big thanks to Jen Pascoe for her extraordinary nutritional counseling over the last several months, and for reminding my mind again about my body, and vice versa.

Here’s to 2012.

Unnecessarily Graphic Addendum 2:

I wore this dress on New Years Eve. By the end of New Years Day, still on my pitiful body, it had undergone a graphic horrorshow of alcohol sweat and 12 hours of projectile vomiting. What a trooper.

Here’s to less vomit (and less booze) in 2012.

Photographer: Bethany Walter

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Since the age of 7, I have had a fascination with clothes and have invested a chunk of time piecing together outfits. I have been embarrassed by this passion of mine because my mother raised me to believe that a woman’s worth comes from her intelligence and personality, not from her looks because beauty fades. One of my biggest fears has been that I might waste too much time investing in my appearance and be valued only for my level of beauty. You can imagine that I have had an internal battle between this fear and my pleasure obtained from styling clothing.

Crocheted fairy tale cape: thrift store
Anne Klein high-waisted wool skirt: Neiman Marcus, thrift store

Recently I have given myself permission not to feel guilty about my interest in fashion and pursuit of beauty. There are a couple of reasons why. The first reason is I have come to realize that play in life is important no matter what form it comes in barring that it isn’t a sociopath behavior. When I am getting dressed, I get a lot of joy from trying to figure out a beautiful combination of colors, textiles, and silhouettes. The second reason is that this creative exercise of fashioning an outfit I have never worn before makes me a better graphic designer.

Chocolate brown beret: Dillard’s clearance

Floral pink blouse: thrift store
Element of surprise: juxtaposing girly blouse with gnarly Turkmenistan vintage necklace, Armor Bijoux
Silver vintage Navajo bracelets: gift
Vintage ethnic ring: Turkmenistan, Armor Bijoux

Retro red shoes: Urban Outfitters one year ago

Vintage 1960’s reversible purse: L and M, antique shop

. . . the feeling of beauty is useful. The aesthetic emotion might have begun as a cognitive signal telling us to keep on looking, because there is a pattern here that we can figure out it.
(Why Does Beauty Exist? by Johan Lehrer)

As much as people try to de-emphasize the value of beauty, it has a purpose. In Johan Lehrer’s article Why Does Beauty Exist? he discusses that beauty is a signal to man that something has a pattern and it is worth figuring out. He says that beauty is a motivational force that heightens our conscious awareness and makes us learn. Beauty might be a guilty pleasure but it is also an expression of mathematics and beauty’s purposes is making us take notice. Man’s curiosity with beauty has helped lead to our evolution and pursuit of knowledge.

Photographer: Anna V. Demetriades

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